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The state of Ohio has always had a rich history in quality underground music. In the early '80s, there existed in this region two notable hardcore punk bands that were among the vanguard of their respective scene, namely the Necros and Toxic Reasons.Fast forward 10 years later to Embalmer, who formed in 1989 in the city of Cleveland. They started out slogging it out in the underground tape-trading network with a few early demos. Their third, entitled "Rotting Remains" (tracks 5 through 8 here), was recorded in June of 1993 at a studio in Akron, Ohio. The band make it clear on this recording that they were leagues above most of their competition in the unsigned brutal death metal scene of the day, on tracks like "Rotten Body Fluids" and "the Cellar," both of which demonstrate a noted mastery and aptitude for the elusive and surprisingly difficult-to-pull-off quality death metal riff and "groove," that most of their contemporaries at the time couldn't touch. This widely circulated demo tape rightfully caught the eye and ear of the famed Relapse Records, who would then sign the band to eventually record a 7" single for the label.That came in the form of December 1995's "There was Blood Everywhere" EP. Wow! While the demo was good, I feel it was really just a warm-up for what was to follow on this deadly slab of vinyl. Here was a band that was, for one thing, unafraid to wear its influences on its sleeve. The lyrics to track number four "May the Wounds Bleed Forever" include references to at least two other brutal death metal greats that I can detect, in the use of the phrases "Split Wide Open" (Cannibal Corpse) and "Drilling for Brains" (Mortician). I would say that fans of either of those two groups mentioned will absolutely love Embalmer. Rick Fleming's vocals are suitably guttural and menacing and perfect for the material, and he also accentuates it with some of the most demented banshee screams imaginable. Drummer Roy Stewart is also a real force to be reckoned with behind the kit, as shown on track number three, "Blood Sucking Freaks" (the lyrics of which offer more cool low-budget horror imagery, the song even being named after an old horror movie). This song is pure and unadulterated grindcore insanity, with Stewart's wall of blasting drums making me headbang and ready to kill on command every time, really giving even early Napalm Death a good run for its money. The other tracks pummel along in similar fashion, making for an all-around classic death metal 7" for its time.Leave it to the good folks at Relapse to always handpick only the best and most brutal bands for its "Underground Series" of releases. "There Was Blood Everywhere" is no exception. Included in the CD reissue is the single's original thank list, where the band acknowledge the influence they get from "LSD, mushrooms and weed" as inspiration for their music. Similarly, I would venture to say that no money was made from either recording compiled on this CD. Embalmer come across to me instead as just five guys who are as true and committed fans of underground death/grind as they come, just doing what they love most, even if the prospects for financial return from music this non-commercially viable are slim to none at best. This really translates well to the listener, which is why this disc is perfect for the Underground Series, and always a winner to air for fans of the truly raw and brutal stuff.All in all, top notch brutal death metal here, and proof that the sound was still going strong even in the mid-'90s, despite many who have said that the scene was already dead by then. On the contrary, I would venture to say that not only was the sound not dead at that point, but indeed that it will never completely die out. In short, when talking death metal, Embalmer are the real deal, so all trendies and posers, beware.