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The “masterpiece” (Michael Herr) of the New York Times bestselling, Pulitzer Prize–winning author of The Road, No Country for Old Men, The Passenger, and Stella Maris “Cormac McCarthy is the worthy disciple both of Melville and Faulkner. I venture that no other living American novelist, not even Pynchon, has given us a book as strong and memorable.”—Harold Bloom, from his Introduction “McCarthy is a writer to be read, to be admired, and quite honestly—envied.”—Ralph Ellison One of The Atlantic’s Great American Novels of the Past 100 YearsWidely considered one of the finest novels by a living writer, Blood Meridian is an epic tale of the violence and corruption that attended America’s westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the “Wild West.” Its wounded hero, the Kid, a fourteen-year-old Tennessean, must confront the extraordinary brutality of the Glanton gang, a murderous cadre on an official mission to scalp Indians. Seeming to preside over this nightmarish world is the diabolical Judge Holden, one of the most unforgettable characters in American fiction. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian represents a genius vision of the historical West, one whose stature has only grown in the years since its publication.
Let’s start with the most common complaint about this book. Yes, almost all the characters are violent, but that word doesn’t convey the sheer cruelty inflicted in this story. Certainly all the main characters are violent including the protaganist, “the kid”. The few minor characters who are not are generally brutalized. I quit reading for a few month less than halfway through. When I picked it back up I finished the last two hundred pages in a long day. I guess I was better prepared for the violence and the lack of morality in all the characters, but I also felt I was becoming densensitized during my second attempt. If you read the backcover or a critical summary you should be aware violence is at the core of Blood Meridian, it shouldn’t be a suprise. But the depth of it might.Now this is the type of read that for the average reader, like myself, can be laborious. I do not have the skill to be a book critic and struggled as an English major to understand the intracacies of some masterful writers, compared to my professors and some fellow students who quickly identified subtext and points of style. McCarthy is one of those writers, certainly Blood Meridian is one of those works. This novel is often compared to Moby Dick or Faulkner’s top writing, and the comparison is spot on for me. I struggled to understand the subtext of what is being said, re-reading McCarthy’s frequent long descriptive sentences which are amazing to behold. They can be longer than a typical paragraph but are smooth and flow perfectly. I could never pull that off, it would either be a disjointed run-on sentence or it would take me ten maybe twenty sentences to convey what McCarthy does in one. What is amazing is these are common throughout the book, every page is filled with them. I can only imagine how much work went into each page, this is clearly the result of many years of focused effort.Similarly, I hear complaints from others or see complaints in reveiws regarding McCarthy not using quotation marks to highlight dialogue. This is a hallmark of his work, and he is not the first nor last to choose such a style. I think too much is made of this by people who really just didn’t want to put in the effort to read the book. Which is fine, this is not a traditional Western in any way, its not a tradtional mindless entertaining story. That’s one reason I am just reading this at age fifty and I am a fan of McCarthy. I have had the book for ten years and just read it. I knew going in it was the type of book you need to prepare for. But I don’t believe most people who claimed they couldn’t tell when a character was speaking are being honest. More likely they are just annoyed as it takes more effort to follow who is speaking, to re-read to understand, and if you want to skip the long descriptive sections to jump to the next scene of dialogue it is hard to do without quotation marks. This is just not an issue. Is it a gimick by McCarthy and those who pull it off? Maybe, I don’t know what they have said about the style but I suspect its more about flow and keeping the text clean. The pages do look beautiful and that affects your mood when reading. Also, quotation marks and other punctuation does in fact effect the cadence of you reading. Regardless of all that, I don’t believe it will effect most readers and is a weak complaint.As I mentioned, there are many long descriptive sentences. Sometimes there are pages of this with minimal action occuring, but you tend not to notice unless you are really analyzing the style. Very vivid, I could visualize almost every scene, and appreciated McCarthy’s ability to be so descritpive while simultaneously leaving specifics of how we visualize up to us individually. I suspect how I see each character is different than everyone else, but we all enjoy vivid scenes. For this reason I hope they don’t make a film version of this. For one, I think it would be a failure, especially in today’s hypersensitive PC climate, and two, I just think it would be impossible and an antithesis to what McCarthy’s writing accomplished.I did struggle with the last twenty pages, because, as I’ve said this is not a book where the story is solely at the heart of things. Symbolism and style are equally as important. And the judge as a character is the most complex. The final encounter and how things were left was at first baffling to me, but after re-reading the last few pages I loved it. Won’t ruin things but there is of course room for interpretation. Sometimes I hate that, sometimes it works. For me at least, this time it worked. The epilogue was however completely unnecesary and a distraction. I get what its saying but its like hitting me over the head. I almost feel like ripping that page out it seems so out of place, like a teacher told him, now put this in so it will all be tied together and the stupid people will “get it”. I might be one of those stupid people and I just found it annoying.Overall, I enjoyed the novel once I came to accept the inclusion of so much violence, and am glad I set aside mental space to read it and time to chew on what it was saying. If you want to read a real western, stick with Zane Grey, Elmore Leonard, even Louis L’Amour if you want the heart of the genre. If you want a taste of the true history of the west in the mid 19th century, framed with an exploration on man’s capacity for violence and cruelty, pick up a copy of Blood Meridian. Just allow more time for the read and you’ll likely get more out of it.